Before the race, here is the organization of the armament in the white road, the race of the Redondos and the origin of the “Arrancármelo”

Two weeks later, we released our 3rd album entitled Descartable and ratified the place of honor that occupied the popular music panorama. Argentine rock, hip-hop or urban music, in addition to being one of the most relevant composers of recent times. times. He has worked with characters such as Indio Solari, Gustavo Santaolalla, Ricardo Mollo, Andrés Ciro, Nicki Nicole, Trueno and Dillom.

26 years ago, Valentín “Wos” Oliva created a painting of paintings that proves that you can’t tell in a short story as an emerging artist. He took his first steps 11 years ago in the world of freestyle, when he made an impression on the world. freestyle.

After passing through the field of the two transition teams, he moved on to the battles of Red Bull, where he also has a national and world bib. He was 21.

Faced with the irony of what today many others have depreciated, they discuss it as new, they say to themselves and say: “Let them continue like this, because if I don’t look old, it is better that I continue to surprise and that I continue to be a revelation!”

Today we ratify Descartable, which is not only about songs, but also about songs, while the country found out about the World Cup with its hit Arrancármelo, which was the soundtrack of the National Team’s journey.

In addition, before crowning this new album of 16 songs, over the next year we expected it to come with some singles (Descartable, Morfeo, Melancolía, Quemaras and La niebla), as well as collaborations with other artists, such as Residente. , Molotov, Vetusta Morla and Evlay. Su personal taste is not only to watch songs, but also videos, where he faces the bet and we let ourselves go.

A day before the presentation of the album, on April 20 at the emblematic stadium of Racing -to play Los Redonditos de Ricota and La Renga-, we were hired through Clarín in the offices of Doguito Records, manufacturer and seller that in combination with the director Peter Erlich.

It’s noon and he smiles at the comment of what happened to his supposed 100 percent nightlife (“I had a moment like that, but one day I said ‘That’s it,'” he says). This time, it’s a relaxed, thoughtful and open talk, without big titles and with the ego totally controlled.

His unfathomable fondness for Patricio Rey y sus Redonditos de Ricota, evident in his debut album, used the riff of Luzbelito and sirens in his song Luz delito. I earned praise from Indio Solari and now they have composed a joint song, Quemaras.

The artist announced an exhibition at the Racing Club stadium in Avellaneda on April 20 and presented “Descartable”, the album that will be released on March 21. There are more than 40 million fans.

“There was always in me,” he says, “a fantasy of doing anything together, more or less conscientiously. We honestly sense this aura, but we don’t know if we’re developers. We have already met several times with Lindos in your space to come and be relaxed. Your machines have been shown on several occasions, but you have never shown anything. “

He added: “When I’m about to make an album he says, ‘Beno, I have this’, I pay attention to it and I get excited. Then, of course, I asked for it in the mail so I could be seen. “It may simply be done quietly and in detail on your behalf. And we’re exchanging a little bit. “

The point of contact with the Redondos is only Indio or Racing, but also the independent activity, the way in which Wos has put together an exemplary career, following the example of Patricio Rey’s musicians.

“It’s the wonderful example – confident – of a blank road, with all the others and the uncertainties that cross it. It’s what at a given moment seems like a necessity of what, it’s my way of doing things, it’s our new rhythm and how we make sure we don’t get devoured by archetypes. “

What do you like about the Redondos about putting everything together?

The smart thing to do is precisely to stay in the center and the price to get out of everything that is established in one way and deactivate it, proposing what makes sense to oneself. It’s this price and this firmness for this path and protect your way of doing things. those things, even if you’ll hold your pulse as, surely, step up to it. And the gens feel it are very proper and they take ownership of what one does.

They are part of the military generation of The Fifth Step, where they compete with other women who also have their characters, such as Ysy-A, Duki, Neo Pistea, Lit Killah, and Trueno, in addition to Bizarrap and his skill compilations.

“I remember that time,” he says, “as a whole fantastic ensemble, magical in a way. First because it was the moment that forged my identity in my adolescence, and also because the latter ended up getting me hooked on making songs. Everything I do comes from It’s a very special moment. That’s what happened and it’s part of everything that’s happening today.

-It all started very small and with few people.

“It was all very small, but then it started to grow. Today we have the feet with which they share this moment and it travels the world and the stadiums.

“Each one took a different path and went far.

“Si. Se see that many men are very different, with their own data. It’s not this global improvisation that’s made up of making songs and putting together a band. Ysy-A and Duki were the first ones I came across. I know that I am a Red Bull jury in a region and I crossed in Rosario with Modo Diablo. Then, each one made their own way, growing and opening a beautiful path. After paddling hay. They went more into trap.

-In urban music there are many crossovers and collaborations, everything that is not the same as in old Argentinian rock.

“Yes, re. After that, Armando has become branches. With Acru and Ca7riel, although it doesn’t exactly come from there. Once we’ve crossed paths less and less, however, if it’s this perception of movement, it’s basically because at one point there’s total individualism because we don’t arm ourselves with bands. That helped the growth.

A success in Wos’s career was the release of Arrancármelo, a song that ended with a soundtrack of the Qatar 2022 World Cup. It did not surpass the power of his past takes, but it gained intimacy and emotion.

“That came out in the South, with the angels just guitar,” he recalls. And he adds: “We sing like a hum, in the middle of it. With Facu (Evlos angelesy) we did it and we’ve looked, we have anything we like. “. Then in Buenos Aires, in a studio, we said the form and the letter. Friend because I felt that this is the most explicit, and much more sung than in general. I understood that we were looking to make a video sequence, the quietest one. in terms of production. “

-And you end up singing it in River for the Angels Selection.

-Yes, right. It’s the song that resonates the most, because of the theme that it is and because of what the World Cup represents. Something similar also happened with Kangaroo, after Terrazas. These phenomenal things are still close to my heart. They always had to do with something like bigger, that makes them grow.

-How are you coming with the arrangements for the stadium, how are you coming and when are you doing it?

-To last year’s fines. We had just done the exhibit at this point, although obviously we’ll do it to outline things. We still don’t play with this weather, however, there are concepts that come up because that’s the symbol of the discotheque.

-People have it and everything is space, but in truth when they film the club, they talk about the video and the show.

“Of course, more and more. Because once you incorporate that dynamic, you have even more to incorporate into the sense of life and movement.

-Without spoiling it, how does this compare to the previous part?

“There is something certain, that a general order is being carried out that, unless it is there, is internal, that things will have to be replaced. The delight is also what you have experienced personally and then as a general team, everything. That’s part of me.

We are armed with this show, a set of recordings, a guide, information and a delight that we will do more and more. There is an essence in what you see, but I who are the ultimate thread and the closest to what we have now.

“What about the time of maximum intensity of the movements?””Caravan”, for example, all the fines for the week.

-Caravan had the intensity of being the precept and all that it means, like being able to listen to everything. We filmed everyone and discovered everything fundamental step by step, with innocence in the decisions. I look back and say it was fine, but at the same time this is what happens.

With Dark Ecstasy Nous we turn around a lot, there are more things on the street, with more firmness to do it. That’s when I started to enjoy it more and understand what happens there.

In terms of Disney or Marvel, the series “Caravan” “It’s not a preference because it can be accumulated”, and the series “Dark Ecstasy” “Everything to be to have a wonderful responsibility”?

-Yes! That’s what it’s about. That’s why he had this innocence in the Caravan and then the Dark Ecstasy. And this third club has a little bit of two at one point, but you felt that feeling and did your research on the other side.

-You released a bachelor, after having come an album of 16 songs. Since the first bachelor you were composing and recording all the time?

-Throughout the whole process we stick to the composition. It’s like a year and a little bit of writing songs in separate stages. I was with my producer, Evlay, for a few days to get the hang of it. We have a zone in the middle and we look like other things. It will accommodate everything from there.

-What does it mean that you can use it in a nearby nightclub?

-I can’t use it, but I do it in Descartable with a song called El sur, which predates Oscuro éxtasis. It’s the penultimate one. I thought it was a perfect maximum. It has become the first ultimate of disco music, and then comes Arrancármelo which is like the credits of the movie.

-What happens with all this after Racing?

-Today in May nothing, and from June we will organize the excursion that will end in Europe. We have exhibitions in Dublin, Copenhagen, London, Berlin and towns in Spain, without festivals. Since then, we have come back and we have Latin America. More at the end of the year in other provinces of Argentina. While a full tour.

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