The monastery of Müstair, in a valley in Graubünden, is an elegant example of Christian monastic renewal in the Carolingian period. It has the largest series of figurative wall paintings in Switzerland, painted around 800 AD, with Romanesque frescoes and stuccoes.
Characteristic of the Christian monastic revival of the Carolingian period, the monastery of Müstair, in a valley of Graubünden, preserves the most important set of wall paintings in Switzerland, executed around the year 800, as well as frescoes and stucco from the Romanesque period.
米兹泰尔的木笃会圣约翰女修道院位于格里森州的一个山谷中，是卡洛林王朝时期极具基督教革新运动特征的修道院的典范。 修道院内保存有具像壁画，于公元800 年绘制完成,并保存有罗马时期的水彩绘画,堪称瑞士最伟大的艺术杰作.
The monastery of Mustaire, in the north of the canton of Graubünden, is one of the earliest examples of the era of Christian monasteries in Karolingov. This is a product of Russian history, which resembles IХ в. , as well as French and Latin novels é.
Located in a valley in the canton of Graubünden, this convent is a characteristic element of the renewal of Christian monastic life in the Carolingian period. Frescoes and works of art from the Romantic period have been preserved, as well as the most vital mural ensemble in Switzerland, which were created 800 years ago.
The monastery of Müstair, in a valley of Graubünden, is a former monastery from the Caroline period. The largest in Switzerland smells of figurative young people (young people charge 800 euros for Christ) with Romanesque frescoes and stuccoes. The monastery in the direction of Chur bistro around 780 hours of Christ. Vanaf began in the ninth century and also encouraged the Benedictines, who in 1163 became a monastery. The monastery complex is located near the church of St. John of Doper.
Brief Summary
The Benedictine monastery of St. John of Müstair, located in a valley of Graubünden in the extreme southeast of Switzerland, south of the Alps, was founded around the year 775, probably by order of Charlemagne. In the early 9th century, it was reported as a status quo of Benedictine monks and became a women’s abbey in the early part of the 12th century. Religious activities have continued uninterrupted to this day, and the abbey had a priory in 1810. Today, the convent complex includes the Carolingian convent church and the church of the Holy Cross, the residential tower of Abbess von Planta, former bishop’s apartment, comprising two oblong courtyards. To the west, the courtyard is surrounded by cloisters, two front towers, and agricultural buildings.
The heritage reflects the history of its structure and the political and socio-economic relations in this region and in Europe for more than 1,200 years and thus provides a coherent example of Carolingian convent architecture over time.
The convent church houses the maximum life cycle of frescoes from the Carolingian period preserved in situ. The creation of these frescoes dates back to the early part of the ninth century. The church, largely preserved in its Carolingian style, was first and foremost intended to be a space to be decorated with paintings: constitutions of Christ’s tale adorn its entire circumference, apses and interior walls. The scenes are decoratively arranged with elements connected through thematic and spatial correspondence and constitute a remarkable example of Christian art. iconography.
Criterion (iii): The convent complex is one of the most coherent architectural works of the Carolingian period and the early Middle Ages, with the most extensive pictorial cycle known from the first part of the ninth century. Figurative paintings from the Roman period, and especially from the Carolingian period, serve mainly to understand the evolution of certain Christian iconographic themes, such as the Last Judgment.
Integrity
The asset includes the monastic complex and the agricultural elements annexed within the complex. The asset includes all the elements necessary to make explicit its Outstanding Universal Value.
Authenticity
Historical and archaeological studies have determined that all restoration works have been carried out in strict compliance with the original substance since the 1947-1951 campaign. The goods meet the conditions of authenticity not only from the point of view of the curtains, but also from the functional point of view. View: The convent is still a devoted center of the Benedictine nuns.
Protection and control requirements.
The patrimony enjoys legal coverage at all levels of the State and, therefore, the highest coverage imaginable. The federal coverage is signed in the territorial registry and the competent federal authority must give its consent for all the paintings planned on the site. The classification also ensures that it is preserved through the competent cantonal authority and prohibits any demolition. The assets are located in a protected domain in the municipality’s local urban plan. The asset barriers are located in a non-buildable area and ensure that the landscape values of the assets are maintained.
The “Pro Kloster Müstair” Foundation, which has existed since 1968, is responsible for the control and conservation of the property. It is composed of a Board of Trustees, a Board of Directors and a Director. In particular, it establishes and implements conservation plans and archaeological studies, as well as financing, communication and progression plans. It establishes the annual budget of the assets and, in its capacity as manager, plans and supervises the maintenance and recovery works.
An agreement between the Foundation and the Benedictine Sisters regulates the control and coordination of wishes and requests, in terms of clinical and archaeological research, as well as the maintenance of the complex, the devotional function, the agricultural exploitation and the expectations of visitors. Close contacts with the relevant government at all levels of the State ensure that assets are used with conservation as their primary concern.