As megabreds adapt in reaction to the COVID-19 pandemic, they replace and schedule, and in some cases rearrange entire display locations.
As a result, New York will get unforeseen visits this fall to the works of two wonderful painters. A sample of Jenny Saville’s new art, scheduled for a spring opening in the Hong Kong area of the Gagosian Gallery, will arrive in Manhattan in November. . And a cancelled exhibition of paintings through the vanquished Jack Whitten, bound for the Hauser branch
“The stage in New York is incredibly fluid, and this can simply replace our track record and plans, but we’re ready for that,” said Andrew Fabricant, Gagosian’s leading operations officer, who works with Ali Soufan, a threat strata and former FBI agent, to help manage the reopening of gallery branches.
The effect of the virus on gallery operations “was huge,” the manufacturer added. “We’ve suffered, but not to a degree that really turns our backs on us. “
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During the pandemic, galleries around the world faced a dramatic drop in sales. A recent report through UBS and Art Basel indicated that galleries in the top group, with annual sales of more than $10 million, recorded a 35% drop in sales. showed that the figure is almost accurate for Gagosian, while Marc Glimcher, president of Pace Gallery, said his gallery’s decline is approaching 50%. “It’s hard. It’s never been harder,” he said. “But it’s not miraculously impossible. “”
Pace is moving forward with an ambitious fall schedule that stays close to the gallery’s pre-pandemic plans. (An exhibition of paintings by Adrian Ghenie of Europe has been delayed for a few weeks, until 20 November). “We basically said the exhibition had to broadcast, ” said Glimcher. Galleries, he explained, are “one of the only parts of global art that can begin without a complete room. Every cinema, every cinema has to be complete. We can display art and sell for sure. »
The gallery’s fall list of exhibitions will include a presentation of the painter Sam Gilliam’s paintings, the first since Pace announced the artist’s performance. Gilliam, who emerged in the 1960s with her painted canvas curtains, will showcase new animated paintings through black heroes like John Lewis, Beyoncé and Serena Williams.
The logistical complexities of assembling displays of a pandemic have been, Glimcher admitted, a nightmare. “Everyone in my logistics branch is now bald because they’ve been pulling their hair all summer,” he joked.
Other galleries have to give up any ghost of prestige quo. Hauser
“We couldn’t pass as if nothing had happened,” said Marc Payot, Co-Chair of Hauser.
The gallery has also made several adjustments to its programming to keep its own works and artists physically close to creditors and the public; in particular, reschedule Whitten’s exhibition for New York and recently open, with a handful of other high-end galleries, a new gallery in the Hamptons.
Megabreds also accelerated their online bids on the pandemic to mitigate programming disruptions and related economic difficulties.
At the height of the first wave in New York, Gagosian initiated a series of specific online sales of new paintings, under the logo called “Artist Spotlight”, to offer exposure to artists whose exhibits have been cancelled. “I intended to bridge the gap, keep things warm, keep the lighting fixtures on,” said Sam Orlofsky, gallery director. Strong online sales of recent months in galleries and auction houses have encouraged them to continue the series. the paintings of Takashi Murakami, John Currin and Nathaniel Mary Quinn.
The David Zwirner Gallery has distributed exhibitions in remote positions through its website. Since October 14, the gallery has been broadcasting the new soft and audio installation through artist Diana Thater, “Yes, there will be singing”, 24 hours a day from a stall. in Los Angeles. A meditation on isolation, the facility presents the singing of a whale that has been called “the most solitary whale in the world” due to its specific vocalizations.
As galleries are replaced and adapted to a changing cultural scene, the public does not expect wonderful museum-quality exhibits in Chelsea. “There are things that aren’t possible,” Glimcher said, “like doing amazing exhibitions on museum lending. “Pace has boosted those presentations until at least May 2021.
Hauser
“Next year’s start will be the year we’ll do wonderful old displays with loans from around the world,” Payot said. As for those emissions, “we can do anything, wait. “
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