Juventus striker Moise Kean considers his coach Max Allegri a father figure from a sporting perspective.
The remains of the two men in Turin are almost linked. They left the club in 2019 and returned for a second term in 2021.
It was the Tuscan tactician who gave the striker his senior debut and then a permanent promotion to the first team.
As a result, Kean explains that he and Allegri still maintain a strong bond, even if they argue when tensions flare.
“We have a wonderful relationship. Allegri will let me know when he does something stupid and when he’s fine,” the 23-year-old said during his appearance on DAZN via La Gazzetta dello Sport.
“For me he is a father figure from a sporting point of view. Sometimes we still argue, but in the end we love each other, even if we don’t say it.
Kean also spoke about when he and Nicolo Zaniolo were sacked for being late for a meeting with Italy U21.
“I was with Zaniolo and we were playing video games. We arrived at the meeting at 11.05, the appointment was for 11.
“Then I said to coach Di Biaggio, ‘I’m sorry, sir, we’re late. ‘I apologized to the team as Nicolò stood up and laughed. I looked at him and said, “What. . . “Are you laughing?”
The Juventus striker also discussed his music career which sees him link up with Weston McKennie and Milan star Rafael Leao, while also discussing his rapport with some of his teammates.
“I like making music, it calms me down. McKennie and Rafa Leao are at my house, we write and sing
“We have a song together that has yet to be released. We’re working on it.
“I met Miretti once when he was detained and I was sent to play with the elegance of 2003. I immediately thought it was good.
“Everyone was talking about Fagioli. He was very strong, He had always proven it and will do so again.
“But the one who knows me is Hans Nicolussi Caviglia. Me explains the training sessions and stops me when I’m about to do or say something stupid.
“Hans likes to listen to the worst music in the dressing room, but he has an intellectual mind. Sometimes he even pays attention to Mozart.
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