Southampton FC rise to the occasion with a new visual update

The club renews its colours with a renewed visual identity created in collaboration with Dragon Rouge

A football club’s heritage is intrinsic to its identity, and Southampton FC’s new brand is no exception. The club, founded in 1885 and based at St Mary’s Stadium, has made its history the focal point of its renewed identity. In collaboration with branding firm Dragon Rouge, the club, known colloquially as Saints, has evolved its visual rules to move forward in a digital age.

An initial audit of the logo, which had not been updated for several years, found that it had become “fractured and disconnected from its existing strategic priorities”, says Fabiola Wilcox, Southampton FC’s director of logo and communications expertise.

The brand previously used a diverse range of styles and an inconsistent presentation, which resulted in an incohesive identity system across the board. To create more harmony, Dragon Rouge honoured one key visual asset: the Saints’ iconic stripes.

Acting as a symbolic marker, the stripes breathe life into the branding in a bold and expressive way. Focusing on the ‘power of five’ concept, the design team applied the stripes using three different approaches, each of which aligns with a different value of the club.

The ‘Core’ stripes pay homage to the Saints’ old kit, the ‘Positive’ stripes aim to highlight optimism and the ‘Dynamic’ stripes express the club’s confidence in its project to ‘become excellence’.

Red Dragon incorporated stripes into the rebranding so that Saints fans can easily identify the club’s communications without having to use their crest. Although some appear in black or white, sometimes they are red, which is Southampton FC’s main colour.

They now feature on the Saints’ new merchandise, and across the club’s social media and digital apps. The aim here, Wilcox says, was to create “a simple yet future-proof system that incorporates our tone of voice and brings new flexibility and energy to our famous five stripes”.

The rest of the design has a sleek yet old-fashioned effect. After the initial audit that highlighted that the Saints’ multiple typefaces were used in every and every way imaginable, adding outline, 3D, hint/input, and italics, the club’s base font was retained. as the source of the name, while the virtual font was replaced and is used more consistently throughout the identity. The rebranding is now fully implemented in Southampton FC’s day-to-day communications.

dragonrouge. com

With faux OOH campaigns taking over last year, we speak to video artist Ian Padgham (aka Origiful) and TBWABelgium’s Henri Wuyts to understand why we’re happy to be duped and what the future of faux ads looks like

Actor Bear’s proposal for Calvin Klein sparked widespread debate on the advertising industry’s favorite social media channel: LinkedIn. Which is glorious for the health of the industry, says our advertising correspondent Ben Kay.

The Advertising Standards Authority has come under fire after banning a cancer charity ad and a Calvin Klein billboard with sprigs of FKA. Despite all the claims about frame positivity and women’s empowerment in recent years, is the ad industry more prudish than it should be?

WHSmith has showcased a new version of its logo on a small number of UK shopfronts, with its name shortened to WHS. The new design has caused confusion and dismay, but offers some lessons for brands in how to handle an identity rollout

From erasing a company’s visual legacy to distracting attention from broader business issues, we take a look at the most sensible reasons why a rebrand may fail.

It’s one thing to have an idea and another to sell it to others and see it come to life. Here, designer and writer Ian Wharton draws inspiration from Aristotle and Finding Nemo to find out how to achieve this.

For our newest episode of CR’s existing Creativity Sucks podcast series!We talked about the state of arts education and, more particularly, how it can be improved.

The brand’s anniversary campaign, Yours for Two Hundred Years, kicks off with a new ad adapted from its poignant 2018 ad featuring a young woman and a merchant.

Wondering how to get the most out of AI? It would be wise to turn to the younger generation, who see their price as a way to empower rather than dominate, says We Are Pi’s Rick Chant.

Pantone’s colour forecasting team has introduced the “subtly sensual” Peach Fuzz as a key colour for the coming year

We take a look at how widespread design trends and increasing visitor pressure have led to an increase in logo déjà vu, and why it’s vital for designers to fight familiarity.

Writer and editor Mark Sinclair reflects on the influence that the digital world has had on our understanding of book cover design, before rounding up his favourite covers of the year

Leave a Comment

Your email address will not be published. Required fields are marked *